The Strange George Lucas Stage Show That Combined Star Wars, Indiana Jones, and Willow

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The ‘Super Live Adventure’ played for months in Japan and featured characters from Star Wars, Indiana Jones, Willow, and more.n

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It is one of the most famous scenes in the history of cinema.Luke Skywalker arrives in Cloud Cityto confront Darth Vader. A lengthy lightsaber battle ensues. Vadergains the advantage and corners Luke on a structure looming over an endless abyss.

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And then, when all hope appears to be lost, a little girl in overalls appears, bestsDarth Vader in saber conflict, rescues Luke, and restores peace and order to the entire galaxy.

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Not how you remember the climax ofThe Empire Strikes Back? There’s a good reason for that. While the scene played outdifferently on the big screen, the alternate version I described above served as the grand finale of a forgotten 1993 touring show titledGeorge Lucas’ Super Live Adventure.Itis truly one of the strangest stage productions of the 20th century, one that combined all of Lucas’ biggest film franchises —Star Wars, clearly, but alsoIndiana Jones,Willow,American Graffiti, and even the auto inventor biopicTucker: The Man and His Dream — into a singlenarrative.

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The backstory: In the early 1990s, Lucasfilm executivesapproached Kenneth Feld — a theatrical producer whose company runs Ringing Bros. and Barnum & Bailey Circus, Disney on Ice, and Monster Jam —with the idea of creating a show that would celebrate the 20th anniversary of Lucasfilm.

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The show was initially planned for Japan, where not only wasStar Warsvery popular, but George Lucas himself was a well-known figure thanks to his status as the star of a series of Japanese commercials for Panasonic. (If you would like to go down a verypleasingly weird YouTube rabbit hole, I recommend searching “George Lucas Japanese commercials.”)

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Obviously George Lucas himself was not going to appear ina lavish touringshow filled with stunts and special effects. But he did lend his name to its title,along with most of his movies to that time as a director or producer. (Most, but not all —Howard the Duckwas a no-show.)

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“The concept,” recalledSuper Live Adventureproduction designer Douglas Schmidt in 2013, “was to make a gigantic arena show based on the plotlines of[Lucas’]films. And combine them all together into a big spectacular event.”

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He’s not overselling it. TheSuper Live Adventure was massive. According to TheRaider.net, the stage was “over one-quarter acre wide and the height of a five-story office building” with a cast and crew over around 150 people. It utilized 76 custom speakers, a score recorded by 140 musicians, and “more than 1.000 laser beams … fired from 23 separate locations” over the course of the show.”

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Oh, but there was so much more. There was a gigantic castle set with a working drawbridge. There was a gigantic inflatable jukebox as part of Mel’s Drive-In from American Graffiti. There was a nearly ten minute musical numberinvolvinga self-driving vintage car in the Tuckersequence.There was a recreation of the infamous melting faces scene fromRaiders of the Lost Ark.There wasat least one onstage beheading. There was a humongous Millennium Falcon that descends from the ceiling and lands on the stage.

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Also there was a live horseanda live Bengal tiger for some reason?

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The clothesline of apremise upon whichGeorge Lucas’ Super Live Adventurehangs each of these disparate elements: Aplant in thecrowd disguised as a youngaudience member is chosen by Willow — yes, Willow fromWillow —to help him in his quest.The “audience member” isgiven a magic wand, and then pursued through a series of George Lucas movies, arranged seemingly at random.

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After escaping the swords and sorcery ofWillow, she wanders into one of Preston Tucker’s car presentations, thengets attacked by giant snakes and rescued by Indiana Jones. (But why did it have to be snakes??) Indybringsthe young womanalong fora genuinely impressive creation of the suspension bridgebattle fromTemple of Doom, then to Club Obi-Wan from thestartofTemple of Doom, where the “Anything Goes” musical number really captures the vibe of the entire show. Then Indy, Willie Scott, and the girl wander intoa composite of scenes fromRaiders of the Lost Ark, before she makes her way into theAmerican GraffitiandStar Warsportions of the evening.

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According to the same interview with the show’s production designer,George Lucas’ Super Live Adventuretook nearly two months to rehearse inside an empty arena. But once completed, it onlyran fora single summer in Japan; inexplicably, there wasn’t muchdemand for a show that combined the bombastic action ofStar Wars withTucker’sclear-eyedcritique ofcapitalism.After performances from April to September of 1993, the show closed forever.

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Bootlegs and grainy VHS videos of theSuper Live Adventurehave appeared online in the past. But a few months ago someone uploaded the most complete version I have ever seen. The video runs over 100 minutes, with only one obvious jump cut in the entire thing. It’s also from a better angle than I’d seen before; dead center in the middle of the orchestra, so you can really appreciate the scope of the production and the intricacy of the fight and dance choreography.

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Bear in mind that the videois in Japanese with no subtitles. Still, if you pay attention, you can make sense of what’s happening — at least as much as anyoneon Earth could make sense of a stage show that combinesWillowandRaiders of the Lost Arkinto a single fictional reality.

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See for yourself below.

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READ MORE: Every Star Wars Film, Ranked From Worst to Best

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The mostupsetting part is the showthe end, when the little girlgets a medal from Admiral Ackbar.Chewbaccadidn’t get a metal but the Super LiveAdventure audience plant got one?!?I guess she did defeat a Sith Lord but still…

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It does not seem as if Lucas himself had much involvement in the development and creation of theSuper Live Adventure beyond lending his name and famous characters to it. Still, with “George Lucas” in the title, andLuke Skywalker, Han Solo, Indiana Jones, Willow,and, uh, that one guy fromAmerican Graffitiall running around, the show does feel like a glimpse into thefamous filmmaker’s mind — if only when he’sgot a 104 degree fever and the aspirinhasn’t kicked in yet.

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Having this near-complete copy to watch is great, but I it’s still not enough. I want a subtitled version so I can fully appreciate how that young woman goes from sitting in a Japanese theater somewhere to stabbing Darth Vader with a lightsaber. I want an HD print so I can appreciate all the best stunts and bits of stagecraft. I want a commentary track by George Lucas where he gives his unvarnished thoughts on this madness.

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Come to think of it: George Lucas has a museum dedicated to narrative art opening soon in Los Angeles. To coin a phrase, this thing belongs in a museum —thatone specifically.

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More on the History of George Lucas’ Super Live Adventure:

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George Lucas has made some of the biggest movies in history — and he’s also produced some films you may not have even realized

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George Lucas has never denied the debt that Star Wars owes to the samurai films of Akira Kurosawa generally (and The Hidden Fortress in particular). A few years after his Kurosawa homage became one of the biggest blockbusters in history, Lucas repaid the favor by helping Kurosawa complete his latest historical epic, Kagemusha, after its initial production ran out of money. Lucas came on as executive producer, and helped find the financing needed to finish the film.

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