HOUSE OF BONE AND RAIN

After his mother, a low-level drug dealer named Maria, is shot in the face for encroaching on someone’s territory, her son, Bimbo, will stop at nothing to avenge her—including torturing and murdering people for information. Most of his close friends don’t want any part this. But after one of them, Xavier, is murdered and Gabe, the primary narrator of the book, barely escapes the killers, their outlook changes. Torn between loyalty to Bimbo and love of his girlfriend, Natalia, who tries to talk sense into him (she’s desperate to escape to the United States), Gabe ultimately embraces his anger. When the hurricane hits, causing an epic power outage, all kinds of people go missing and little attempt is made by the authorities to find them. Myth crashes into reality when “a very large human made of shadows and with a black hole for a face” is seen at the edge of the storm. Prayers and incantations to various Orishas can’t erase unthinkable visions including that of a father bashing in his newborn baby’s skull with a brick because he was born with a horn in the middle of his forehead. In this epic darkness, no amount of bloodshed is enough for Bimbo, and Gabe, finding comfort with a gun, stays with him. Iglesias is an unstoppable force himself, intensifying the grief and widespread helplessness felt on the island post-Maria, along with the supernatural elements. The book isn’t without its excesses, but it’s a step up from his previous novel, The Devil Takes You Home (2022).

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