WITCHES | Kirkus Reviews

An aging faith healer recounts practicing her calling amid gender-based violence, loss, celebrity, and murder in Mexican author Lozano’s second novel to appear in English.

In Feliciana’s poor, hardworking family, the gift of healing is passed from fathers to sons, not daughters. It’s her cousin Paloma who teaches her the art, shot through with Christian faith, and the herbs and mushrooms to use. Born male, Paloma is Muxe—a third gender accepted among the Zapotec people since pre-colonial times. Once she began to identify this way, changed her name, and began to sleep with men, she gave up being a curandero and began to train Feliciana, who goes on to achieve worldwide renown. Narrated from the alternating points of view of Feliciana and Zoe, a journalist who’s interviewing her, the stories weave around both women’s struggles to find their voices and make their own ways. Feliciana endures a hardscrabble childhood and an alcoholic husband, then other people’s jealousy at her success. Zoe grieves her late father and deferred dreams. But the most vibrant character is Paloma, whose murder is reported in the first sentence. Earlier, having been beaten for being Muxe and left with a scar on her face, she wore a brooch to call attention to it: “We don’t hide our scars, we show them off.” As in Loop (2021), Lozano eschews traditional narrative for the discursive pleasures of voice. “Paloma once said to me, she said, Feliciana, love, shaman, curandera, witch, those words are all too small for you because yours is the Language, you are the curandera of the Language, and yours too is the Book. And Paloma also said once, Feliciana, love, it’s not always necessary to cure mankind because men aren’t always ill, but men are always necessary and good for what ails the Muxe in me, dear.” A sensitive, informative translator’s note explains that Feliciana is loosely based on a Oaxacan curandera internationally famous in the 1950s and ’60s.

A fascinating immersion into a little-known world, written with tenderness and humanity.