THE LIGHT AFTER THE ORANGE

Survivors of an apocalypse discover a new world in this YA fantasy.

Alex Chegasa turns 18 years old today. She’s one of the few who lived through “the Orange,” a world-destroying event involving bombs. She lives in Danvers, Massachusetts, in an old school with her adoptive guardians, Danny and Calesta. While rummaging through abandoned homes for “trinkets,” Alex uses her power of detecting auras to sense a presence nearby. The entity is a dog, whom Alex names Jen, after her dead mother. Later, Alex, her guardians, and friends Roberto and Abi venture into the town of Salem. When they meet another band of survivors who are armed, tragedy strikes. Alex goes home and uses her Firestone, a gift from her mother, to burn down her past and start fresh. She decides to search for Jericho, a benevolent community. Meanwhile, in the distant Bearaig, a teen named Billey NicNevin lives with her “State-sponsored” family. She suffers an abiding loneliness that’s only lessened by her bond with trees. One day, she meets a “beautiful young woman” named Geilis, who comes and goes like a spirit. Neither Billey nor Alex fathoms that each one shares a hidden connection to the fae King Arthanius Chegasa, ruler of a place called Spirismus. Can Alex and her new companion, Iggy Dragonrider Thrumblar, escape Jericho to learn more? Hall begins a new series with ambitious worldbuilding and a tantalizing narrative structure. Alex’s and Billey’s chapters alternate with first-person perspectives, keeping events intimate and on parallel tracks. Many genre tropes entwine, including apocalyptic survivors developing powers and a scandal happening in the fae courts. A deep exploration of character emotions ensures careful pacing, so casual fantasy fans may need patience as the separate arcs build toward each other. Alex’s romance with the equally powerful Iggy is intriguing, as “his feelings confused me, and I wanted to read him but knew he would know, would repel my energy.” Throughout, nature is lauded as a healing power, and the message that society should be more than just “a group of people living in the same place” is excellent.

The author plays the long game in this engaging, layered, slow-burning fantasy series opener.